Cello. Procedure for the costruction. Following the classical Cremonese method

Name: Cello. Procedure for the costruction. Following the classical Cremonese method
SKU: 503381
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503381

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AMELIO CICUTTINI
The cello. Procedures for construction. According to the classic Cremonese method of the internal form.

Amelio Cicuttini, an engineer originally from Friuli, approaches the Cremonese violin making for passion and elaborates, thanks to the teachings of the great master violin maker Francesco Bissolotti and the studies on classical violin making, this construction method and working procedures for the four instruments: violin, viola, cello and double bass.

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INDEX

1 - Preparation of the mould and blocks
2 - Ribs
3 - Linings
4 - Back
5 - Top
6 - Cutting of the F-holes
7 - Bassbar
8 - Gluing of the back
9 - Extraction of themould
10 - Gluing of the table
11 - Edge and corners
12 - Purfling
13 - Flute
14 - Lower saddle
15 - Neck
16 - Fingerboard, nut and neck
17 - Endpin
18 - Set the neck
19 - Heel and button
20 - Preparation for varnishing
21 - Varnish
22 - Pegs
23 - Finish of the neck
24 - Finishing of the lower saddle
25 - Sound-post
26 - Bridge
27 - Painting of the edge of the f-holes and of the peg box
28 - Set-up the instrument with tailpiece and strings
Appendix

Tables with the measures of:
- Antonio Stradivari 1720
- Domenico Montagnana
- 3/4 Couturier
- Steiner

Cello. Procedure for the costruction. Following the classical Cremonese method

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